PR Week UK, 10 January 2008
Ekow Eshun rose through the ranks of trend-setting journalism at record speed, before reinvigorating one of London’s premier arts venues. Adam Hill finds out how he has boosted the profile of the Institute of Contemporary Arts.
Ekow Eshun is rightly described as a high achiever. A former assistant editor of style bible The Face and editor of men’s magazine Arena (both before his 29th birthday), he regularly appears as a cultural commentator on Newsnight Review as well as writing for The Guardian and The Observer.
He has penned a highly readable memoir, Black Gold of the Sun, in which he made the startling discovery that he is descended from a slave trader. For nearly three years he has been artistic director of the Institute of Contemporary Arts (ICA) in central London, guiding the institution through a spectacular 60th year in 2007. And he doesn’t turn 40 until May. more
Financial Times, 7 June 2007
Art has the power to disrupt our relationship with the everyday. So does having your first child – I now live in a permanent state of immanence
I’ve been thinking a lot about the future recently. Four weeks ago, my partner Jenny and I had our first child – a boy called Milo. I am elated, of course, but also conscious that the horizon of my world has contracted to match his – Jenny and I now live in a permanent state of immanence dominated by the prospect of the next feed or nappy change. more
The Independent, 8 May 2006
Last week I read …
Between the Prescott stuff, the Football Association’s tussle for Scolari, and Rooney’s foot, it was an enormously entertaining week. All of these have an amazing element of soap opera to them.
The awards ceremony for Beck’s Futures was last Tuesday. This year the critics and the public loved the winner, Matt Stokes. Seeing that reflected in positive coverage was brilliant.
The New Yorker had a travel issue this week. Anthony Lane wrote about how cheap flights have transformed air travel in Europe and he started by booking a 99p trip to a city he’d never heard of. It was about the experience of travel and how it feels in Europe now. Anthony Lane is British, but he and Seymour Hersh have an assurance and perceptiveness with their writing that I never see over here.
Last week I surfed…
A journalist called Neil Boorman is writing a brilliant blog called Bonfire of the Brands (bonfireofthebrands. blogspot.com). He’s built a certain amount of his identity around brands because he’s a style journalist, and it’s turned into an inspired debate about the stuff we consume and what brands mean. He’s building up to a day in August when he’s going to burn all the stuff from his consumer life.
Aintitcool news.com treats Hollywood with the same affection and obsession that European cineastes do French films. It’s enthusiastic about films many would dismiss as popcorn. more
London Evening Standard, March 11 2005
HE IS the adept cultural pundit regularly called upon to pronounce on high art or racial politics. Now, rather than dissect other people’s output from the comfort of the studio sofa, Ekow Eshun is taking on a troubled artistic project of his own. By David Rowan
Eshun is the surprise choice as the new artistic director of the Institute of Contemporary Arts. The 58-year-old institute, in its prime location in The Mall, may still be a favourite haunt of London’s trendiest students, but critics are questioning its lack of focus and cultural influence. The post was widely expected to go to an acclaimed Swiss curator, Hans Ulrich Obrist, whose terms were rumoured to be excessive for ICA budgets. So is the home-grown style journalist the man to give the ICA a renewed purpose?
His previous work, as a member of its governing council, included telling Ivan Massow that he had to resign as chairman, and then publicly calling Massow a “pillock”. So when he was appointed this week, he knew as well as anyone the pressures he will now face confronting its internal splits, tarnished critical reputation and financial uncertainty.