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The view from outside

New Statesman, 14 February 2005

Refugees are a despised underclass, vilified by politicians and the media. But few people choose exile, writes Ekow Eshun. Our hostility only intensifies the pain of displacement

I was halfway through Caroline Moorehead’s Human Cargo when the Tory leader, Michael Howard, placed his advertisement in the Sunday Telegraph calling for a cap on immigration into Britain. Opportunistic politicians who exploit the public’s fears about asylum-seekers are among the minor villains of Human Cargo. Indifferent and cynical as such figures are, they occupy Moorehead only in so far as they offer evidence of how little understanding and sympathy is extended to refugees. Since the mid-1990s, the total number of displaced people worldwide has fallen from 19 million to 12 million, yet during the same period, Moorehead argues, global attitudes have hardened. Refugees have become a despised underclass, vilified by politicians and the media, and defended only weakly by an ineffective aid system. more

Battle of the brands

Hip-hop – As rappers name-drop more and more labels, Ekow Eshun finds the true meaning of bling

The argument over causal links between pop culture and social behaviour is a well-rehearsed and inconclusive one. Yet it’s a debate that is tirelessly rehashed when it comes to rap music. Not long ago, David Blunkett and Kim Howells both denounced the dangerous effects on young people of songs by “macho idiot rappers” such as Jay-Z and So Solid Crew. more

No place like home

New Statesman, 01 January 2005

Writing a memoir – When Ekow Eshun visited Ghana in search of his roots, he was troubled by what he dug up

The BBC’s recent television series Who Do You Think You Are?, in which famous people explore their family history, has delved into some dark places. David Baddiel traced his grand-parents’ flight from Nazi Germany. Bill Oddie discovered that his mother had been wrongly locked up in a mental institution and his grandfather had contracted throat cancer from working in a cotton mill. Both learned that when you go digging for roots, you often come up with something tangled.

I could have told them as much. For the past two years, I’ve been writing a memoir about searching for belonging in England and Africa. As research, I spent part of 2002 travelling around Ghana, where my family originates. I was born in London and, by returning to my roots, I hoped to find the sense of home that had eluded me while growing up in a white country. more

A universal colour

New Statesman, 11 October 2004

Black culture – As the Victoria and Albert Museum launches a show examining black British style, Ekow Eshun wonders if such a thing still exists

Halfway round the array of hats, hairstyles and dresses on display in the V&A’s exhibition “Black British Style”, I realised the contradiction at the heart of the show. “Black” suggests a homogeneous identity defined by skin colour. “Style” is the antithesis of that notion: it is predicated on individuality. The truly stylish define themselves in opposition to the group. Think of, say, Oscar Wilde. Or, for that matter, many of the figures featured in this show. Here are images of rakish young men at blues parties; groups of girls in matching outfits at nightclubs; the drum’n'bass artist Goldie decked out in diamond rings and a mouthful of gold teeth. If all they have in common is the colour of their skin, then the V&A can’t claim to have curated the show at all, but has merely brought together an assortment of pictures and memorabilia. more

Bond St to Brick Lane via Borough

New Statesman, 10 April 2000

London should stop selling faded pomp and circumstance to tourists and get modern. Ekow Eshun offers his personal itinerary

How is it that London chooses to advertise itself on the basis of its historic monuments rather than its vibrant contemporary culture? Millions of tourists arrive each year only to be herded like dumb cattle in the direction of Madame Tussaud’s, Big Ben and Buckingham Palace. Little wonder that, despite vociferous attempts at rebranding, Britain is still seen from abroad as uptight, insular and tradition-bound. Capital-dwellers know that the London tourist’s visit, with its narratives of pageantry and past empire, bears little relationship to the complex, culturally diverse modern city in which they live and work. So what should be on the map for the discerning 21st-century tourist? more