Posts tagged ‘Britain’
Is 2011 a repeat of 1981? Two weeks ago, Britain celebrated a royal wedding with an enthusiasm and patriotic fervour that almost matched the betrothal of Charles and Diana. And today, as then, we can also see a creeping right-wing retro revivalism – an embrace of conservative style, status symbols and values – spreading across British culture.
That’s not to say that 1981 was an inherently conservative year. Sure Thatcher was in power. But it was a time of bitter division: of 2.5m unemployed, riots in Brixton, IRA hunger strikes and the Militant Tendency as a serious force in the Labour party. But if the country was split socially and politically, then it found some solace in the embrace of fashion trends and brands that espoused a traditionalist, un-modern and anti-urban concept of Britishness. This was the age of Laura Ashley dresses and Tricia Guild wallpaper, the Sloane Ranger and the Young Fogey, the Aga as a symbol of enduring tradition. more
This has nothing to do with the Blitz spirit, writes Ekow Eshun. It is about a modern society founded on mutual respect
During the past few weeks, as London has endured attack and uncertainty, it has begun to seem to me that another conflict has been taking place – this one between opposing views of the capital itself. On the one hand there is the notion, propagated by the tabloids and sentimentally inclined commentators, that London’s response to the bombings resembled nothing so much as a resurrection of the Blitz spirit – the whole city coming together in a concerted spectacle of defiance and comradeship. As the Daily Mirror put it: “We can take it. If these murderous bastards go on for a thousand years, the people of our islands will never be cowed.”
Against that perception is the idea, asserted by Ken Livingstone among others, that the threats to London have revealed its true character as a multicultural world city, where 300 different languages are spoken by some seven million people, all of them united by a common argot of tolerance and acceptance of difference. more
The Guardian, Saturday 9 July 2005
Ekow Eshun’s book comes in reaction to the pervasiveness of British racism, his brush with mental ill health – six times more prevalent among black people in Britain than in the white population – the respite he found in hard work and his resulting elevation to editor of Arena magazine, TV pundit and, most recently, artistic director of the Institute of Contemporary Arts in London. He is part of a new and startlingly successful generation of black British personalities in the arts, alongside the Turner prize-winning artist, Chris Ofili, who has designed the jacket for Black Gold of the Sun. more
Review by Diana Evans
That question – ‘Where are you from?’ – has hounded and perplexed the black diaspora for decades and even centuries. It is a question that is asked everywhere, in conversation and inside the head. It has infinite responses at the same time as having no answer. It’s such a simple, obvious, exhausted question, that to use it as a basis for a memoir about black identity becomes an outrageously brave thing to do.
That question – ‘Where are you from?’ – has hounded and perplexed the black diaspora for decades and even centuries. It is a question that is asked everywhere, in conversation and inside the head. It has infinite responses at the same time as having no answer. It’s such a simple, obvious, exhausted question, that to use it as a basis for a memoir about black identity becomes an outrageously brave thing to do. more
Refugees are a despised underclass, vilified by politicians and the media. But few people choose exile, writes Ekow Eshun. Our hostility only intensifies the pain of displacement
I was halfway through Caroline Moorehead’s Human Cargo when the Tory leader, Michael Howard, placed his advertisement in the Sunday Telegraph calling for a cap on immigration into Britain. Opportunistic politicians who exploit the public’s fears about asylum-seekers are among the minor villains of Human Cargo. Indifferent and cynical as such figures are, they occupy Moorehead only in so far as they offer evidence of how little understanding and sympathy is extended to refugees. Since the mid-1990s, the total number of displaced people worldwide has fallen from 19 million to 12 million, yet during the same period, Moorehead argues, global attitudes have hardened. Refugees have become a despised underclass, vilified by politicians and the media, and defended only weakly by an ineffective aid system. more
Writing a memoir – When Ekow Eshun visited Ghana in search of his roots, he was troubled by what he dug up
The BBC’s recent television series Who Do You Think You Are?, in which famous people explore their family history, has delved into some dark places. David Baddiel traced his grand-parents’ flight from Nazi Germany. Bill Oddie discovered that his mother had been wrongly locked up in a mental institution and his grandfather had contracted throat cancer from working in a cotton mill. Both learned that when you go digging for roots, you often come up with something tangled.
I could have told them as much. For the past two years, I’ve been writing a memoir about searching for belonging in England and Africa. As research, I spent part of 2002 travelling around Ghana, where my family originates. I was born in London and, by returning to my roots, I hoped to find the sense of home that had eluded me while growing up in a white country. more
Black culture – As the Victoria and Albert Museum launches a show examining black British style, Ekow Eshun wonders if such a thing still exists
Halfway round the array of hats, hairstyles and dresses on display in the V&A’s exhibition “Black British Style”, I realised the contradiction at the heart of the show. “Black” suggests a homogeneous identity defined by skin colour. “Style” is the antithesis of that notion: it is predicated on individuality. The truly stylish define themselves in opposition to the group. Think of, say, Oscar Wilde. Or, for that matter, many of the figures featured in this show. Here are images of rakish young men at blues parties; groups of girls in matching outfits at nightclubs; the drum’n'bass artist Goldie decked out in diamond rings and a mouthful of gold teeth. If all they have in common is the colour of their skin, then the V&A can’t claim to have curated the show at all, but has merely brought together an assortment of pictures and memorabilia. more
When I first saw Sonia Boyce’s piece From Tarzan to Rambo, I was aware of a faint itching somewhere at the back of my head. I knew I was trying to remember something but I couldn’t think what. Images from her work stayed in my mind: the Thirties-style pickaninny child; the mohicaned savages in the bush; Boyce’s own face, by turns startled and reflective, sketched on paper and shot on film. A few days later the scratching in my head turned into what felt like a swarm of angry bees buzzing and clamouring for attention. Drawn back to the artwork I started to think about what Boyce had inscribed beneath the surface of the canvas. Two ostensibly disconnected names came to mind: Hegel and Tintin. more
London should stop selling faded pomp and circumstance to tourists and get modern. Ekow Eshun offers his personal itinerary
How is it that London chooses to advertise itself on the basis of its historic monuments rather than its vibrant contemporary culture? Millions of tourists arrive each year only to be herded like dumb cattle in the direction of Madame Tussaud’s, Big Ben and Buckingham Palace. Little wonder that, despite vociferous attempts at rebranding, Britain is still seen from abroad as uptight, insular and tradition-bound. Capital-dwellers know that the London tourist’s visit, with its narratives of pageantry and past empire, bears little relationship to the complex, culturally diverse modern city in which they live and work. So what should be on the map for the discerning 21st-century tourist? more